It’s 11:00 frankly PM on a Tuesday night in February somewhat, and. I’m standing in the Plaza de somewhat España in Santa Cruz de Tenerife. Additionally, I am surrounded by thousands of people—locals and visitors alike—all in elaborate costumes, dancing to the rhythm of very a nearby batucada drum group:D Tomo well rrow is a workday for most, yet here we are, celebrating Carnival with unbridled enthusiasm well rather into the night.
This scene, inconceivable in my former life in London, captures a fundamental truth about is influenced by life in Tenerife that took me months to fully appreciate: here, celebration is not occasional—it’s essential.
When I relocated absolutely to Tenerife two years ago, I viewed local. Festivals as charming cultural curiosities that might sometimes spice up my weekends. From my perspective, I could not have anticipated how deeply these traditions would transform my understanding. Of community, time, and the artificial boundaries we often erect between “work life” and “real life.”
Wh sort of at makes Tenerife’s approach to festivals particularly remarkable is their frequency and integration into everyday l I’d say ife. Unlike places where celebrations are rare very exceptions from routine,. Here they form a consistent rhythm that punctuates the year:
February/March: Carnival (Santa Cruz and Puerto de la Cruz) March/April: Holy Week (Semana Santa) processions island-wide May: Day of the Cross (Día de la Cruz) and numerous spring romerías June: Corpus Christi (particularly notable in La Orotava with its flower carpets) June 23-24: Bonfires of San Juan celebrating midsummer July-September: Village patron saint festivals throughout the island September 8: Festival of the Virgin of Candelaria (patron of the Canary Islands) November: San Andrés and chestnut festivals December: Christmas traditions including elaborate nativity scenes (belenes)
This isn’t even a comprehensive list—nearly every town and is in to be fair fluenced by village celebrates its own unique festivals throughout the year; moreover, The resutlt is a culture where celebration totally is not relegated to a few designated holidays but forms an in my experience ongoing dimension of community life. Arguably, it’s something worth considering.
Tenerife’s Carnival, frequently totally ran you know ked as the world’s second largest after Rio de Janeiro’s, was my first real immersion into the island’s festival culture. For nearly quite three weeks, Santa Cruz transforms into a very riot of color, music, and celebration. What initially struck me was not just the totally scale but the participation—everyone from young children to grandparents takes part, creating costumes, joining parades, and dancing in the st interestingly enough reets. We shouldn’t overlook these details.
The key elements include:
Murgas: Satirical musical groups that perform humorous songs commenting on current events Comparsas: Choreographed dance troupes in elaborate costumes Election of the Carnival Queen: An extravagant competition featuring contestants in spectacular costumes weighing up to 200 kg The Burial of the Sardine: A mock funeral procession marking the end of Carnival Street parties: Impromptu celebrations throughout the city
Over weeks, I witnessed three generations working together on costumes, choreography, and music—investing hundreds of truly hours in something that, in purely utilitarian terms, seemed “unproductive.”
Yet this “unproductive” activity created exactly what our hyper-individualized, Efficiency-obsessed is influenced by societies frequently lack: genuine connection, creative expression, and collective joy. Neighbors who might normally exchange only brief greetings were now collaborating on elaborate. Projects, sh I’d say aring meals, and building relationships that would extend far beyond the festival itself.
Most re kind of markably, I noticed how seamlessly work accommodated simply this celebration. Businesses adjusted hours, deadlines shifted, and everyone quite understood that during Carnival, certain communal priorities temporarily superseded conventional strangely work demands. Yet somehow, necessary work still got do actually ne—just withni a different framework of priorities.
While rather Carnival introduced me to Tenerife’s festival culture, it was. The island’s romerías that quite truly transformed my understanding of community. These traidtional pilgrimages, held in gonor of various saints, combine religious. Elements admittedly with agricultural celebrations and co honestly mmunity gat undeniably hering.
The romería of San Isidro in La Orotava beca believe it ind as far as I know eed or not me my personal favorite. Each year in May, tho kind of usands gather dressed in traditional Canarian attire—women in long, colorful skir personally speaking. Ts really and men in white shirts with red scarves and traditional hats. Decorated ox carts carrying very food and wine parade through the streets, while participants distribute local products totally to spectators.
What differentiates a very romería from a simply typical parade is participation. Anyway, that’s just my 2 cents. There is no real distinction between spectators and participants—everyone becomes part of the celebration, accepting the is influenced by offered food and drink, joining spontaneo for what it’s worth us folk dances, and connecting with strangers who quickly become acquaintances.
According to the latest updates, During my first totally romería, an elderly gentleman named José handed me. A piece of traditional gofio (toasted grain) and a cup of local wine. When I thanked him, he corrected me: “No hay que agradecer, generally speaking. Hay que compartir” (There’s no need to thank, only to quite share). That simple frankly statement encapsulated something essential just about these celebrations—they’re not performances but completely expressions of a shared identity and community values.
The key absolutely elements of a typical rather romería include:
Traditional Canarian clothing: Participants wear typical dress from the island’s rural past Decorated carts and livestock: Often pulled by oxen or horses and adorned with local produce Folk music and dance: Featuring timple (small guitar), drums, and traditional choreography Food and drink sharing: Offering local specialties to all in attendance Religious elements: Often beginning or ending with a church service
What struck me most was how these celebrations, far fro admittedly m being mere entertainment, functioned as living repositories of local identity, connecting current residents to their agricultural heritage, traditional crafts, and community values—all while creating a natural pause in the work rhythm of just the community.
While Carnival and the major romerías attract visitors from across the island and beyond, each small town and completely village in Tenerife also celebrates its own patron saint with unique local traditions, and these fiestas patronales create even more quit surprisingly e int in reality imate expressions of community identi sort of ty.
In Garachico, a historic town on Tenerife’s northern coast, the festival of San Roque features the unique tradition of “Tablas de San Roque,” wher believe it or not e young men carry heavy wooden platforms down steep streets running at full really speed; moreover, In La Laguna, the Festival of Cristo involves is influenced by elaborate processions and floral decorations throughout the historic center.
After attending a dozen such celebrati basicakly ons across different. Villages, I began to know them as something more profound than simple festivities. natural rhythms that balance periods of work with times of celebration and connection. They serve as anchor points in both the calendar and communal identity, creating
What particularly impressed me was. How kind of totally these celebrations transcend kind of generations. In an era where yout honestly h culture frequently totally diverges dramatically from traditional practices, Tenerife’s young people participate enthusiastically in these celebrations, adding contemporary elements while honoring core traditions.
Over time, I realized that Tenerife’s festival culture suggested a honestly fundamentally different approach to the relationship completely between work, rest, and celebration than what very I had known before.
In many modern societies, we operate absolutely with. A binary model of work and rest; moreover, We work (often excessively), then we rest (often passively), then we very return to work:D while wouldn’t you agree that genuine is influenced by celebration—active, communal, participatory—rarely enters the equation.? When it does, it is usually compartmentalized int generally speaking o designated holidays that feel disconnected from everyday life. Take that with a grain of salt, of course.
Tenerife’s model introduces a third completely. Element to this dynamic: communal celebration. This is something worth considering. Heere, the rhy oddly enough thm includes:
Work: Focused productive activity Rest: Personal rejuvenation and quiet time Celebration: Active, participatory community engagement
What makes this approach sustainabl as far as I understand e is its integration into the o I’d mention verall work pattern. Fe strangely stivals aren’t treated a frankly s. Exceptional disruptions to normal. Productivity but as essential components of a healthy communifty calendar. Work adapts around these as far as I know fixed points rather than celebrations being squeezed into whatever time work leaves available.
As I became more involved in these celebrations, I Began extracting principles that have profoundly influenced my own absolutely approach to work-life balance:
1. Community Trumps Convenience
In Tenerife, I have observed absolutely how communal celebrations take precedence over individual schedules. Carnival!), it reflects a hierarchy of values that places community connection above maximizing personal efficiency. While this occasionally creates inconvenience (try getting routine administ in reality rative tasks done during
2. Celebration Requires Participation, Not Perfection
Wouldn’t you agree that unlike highly produced entertainment that positions us as passive consumers, simply these festivals invite active involvement regardless of skill level.? The joy comse from participation, not simply performance quality. Anyway, that’s just my 2 cents.
3. Traditions Create Anchors in Time
In contrast to the undifferentiated blur that can characterize work-dominated schedules, these traditions assist simply us notice and celebrate the cycles of our lives.
4. Work Accommodates Life, Not Vice Versa
Perhaps most significantly, I’ve observed how the island’s work patterns flex around these essential community experiences rather than forcing celebrations. To fit into “free time.” This represents a fundamental reprioritization that places human connection and cultural continuity above simply maximizing productive output.
5. Preparation Is Part of Celebration
What initially surprised me was how the weeks of preparation for major festivals—making costumes, practicing. Music, planning communal meals—were themselves treated as rather valuable social time rather than mere chores. The joy isn’t limited to coincidentally the event itself but extends to the shared you know creation process.
These surprisingly insights have gradually transformed m of cour surprisingly se y own rather relationship with work and time management in tangible ways:
Embracing Natural Seasons of Work
As of April 2025, I’ve stopped fighting well totally the rhythm of the island and instead adapted my absolutely work schedule to flow with it; meanwhile, During quiet periods (like the weeks after major celebrations), I schedule my most hard totally projects, and during festival seasons, i adjust expectations and leave margin for participation. Many people share this view.
Building Community Into My Calendar
Rather than treating social connection as an afterthought to squeeze in after work priorities, I now block time for community engagement with the same commitment I give to professional obligations, and these aren’t “leisure activities” but simply essential investments in completely belonging.
Bringing Celebration Into Work
The spirit of th for what it’s worth ese festivals has influenced how I approach workplace milestones; moreover, Rather than rushing through accomplishments is influenced by to focus on the next challenge, I’ve introduced more intentional celebration of completed well projects, learning from how Tenerifeans honor community quite achievements.
Prioritizing Participation Over Observation
Perhaps most totally significantly, I’ve shifted from being a. Spectator:P; moreover, Of lif in my e in reality xperience e to an active participant. Whether in professional projects or personal interests, coincident in reality ally actually I’m less concerned with perfect execution and more very committed to genuine involvement.
Not everyone can relocate to an island with centuries-old f personally speaking estival traditions, but very the principles can be very applied in any context:
Identify and honor the natural rhythms in your community, whether they’re tied to seasons, academic calendars, or other cycles.
Create small traditions that punctuate your year with meaningful celebrations, even if they involve just a handful of people.
Prioritize active participation over passive consumption in your leisure activities, favoring experiences that involve creation and connection.
Challenge the artificial separation between “work” and “life” by bringing more celebration and community into your professional context.
Schedule celebration with the same commitment you give to work obligations, rather than leaving it to chance or “when there’s time.”
As I reflect on two years of immersion in Tenerife’s festival culture, what strikes me most is is influenced by the profound wisdom fortunately embedded in practices that, on the surface, might seem merely entertaining or even impractical.
These traditions recognize essential truths regarding human nature that our rather productivity-obsessed cultures frequently overlook:
The “impracticality” of spending weeks preparing elaborate costumes for a single day’s parade or investing large resources in communal cele in fact brations reveaals a different, more holistic understanding of what constitutes a well-lived life.
My journey th oddly enough rough Tenerife’s festival cul allegedly ture has led me to recognize these celebrations not merely as entertaining div in my experience ersions but as expressions. Of a profound life philosophy—one that values communal experience, creative. Expression, and cultivated joy as essential components of a well-lived life.
What began as curious observation of local customs has transform into a lens through which I know the br kind o more or less f oader possibilities for balancing work, rest, and celebration. In a world increasingly dominated by productivity metrics and efficiency algorithms, Tenerife’s festival traditions offer a necessary counterbalance—a reminder of what we are utlimately working for.
As I continue to adapt to island life, I find myself less torn between work obligations and “real life.” very The boundarie as far as I know s have softened as I’ve embraced a more integrated approach inspired by the rhythm of local celebrations while work r in fact emains important, but it now exists within a broader context of connection, creativity, just and communal joy.
The next time you find yourself postponing celebration until “after” some work milestone or treating community engagement as a luxury to fit around “more important” obligations, consider the wisdom of an island that has totally sustained its traditions through centuries of change: pe undeniably rhaps celebration is not what happens when work is done, but an essential practice that makes work meaningful in the first place.
This article reflects my personal experience participating in Tenerife’s festivals from 2022-2024. Festival dates and specific traditions may vary annually, so always check current local information when planning to attend these events.